It’s 2026! Suddenly we are a dozen days into January, and perhaps still considering a multitude of New Year Writing Resolutions. What shall I write next? What old piece of writing shall I revisit and edit? What writing project will be finished this year?
Of course, if you are writing you must also be reading. In the UK there is a huge drive towards 2026 being the Year Of Reading. Government Departments, Schools, Libraries, Literary Agencies, Trusts and Foundations, as well as Literary Festivals are all doing their part to positively promote the written word, whether in printed or digital formats.
As writers, reading is perhaps our greatest tutor. It introduces us to a vast language, writing skills and styles, it broadens our imagination, we can research information, and best of all, it’s thoroughly enjoyable, rewarding for everyone and great for our well being too. So while you are jotting down your list of writing projects for 2026, don’t forget to add in a little reading around the subject. As author, Stephen King says, ‘If you don’t have time to read, you don’t have the time (or the tools) to write.’
News –2025 Fiction Competition Now Closed
A huge thank you to everyone who entered The Frances Copping Memorial Prize 2025 Fiction Competition. Our judge, Holly Müller, is currently working her way through the entries and we will announce the results in the weeks to come.
Writing Worth Reading
In this new section we will be sharing a piece of work written by a present or past member of Hay Writers’ Circle. For our first offering, HWC Chair, Corinne Harris begins with a poem. We hope you enjoy it.
“HUPEL” By Corinne Harris
I whisper to my big black cat,
into his twitching velvet ear.
I hold him close, upright, the way he likes,
his head on my shoulder.
He is thinner now.
The obsidian night of his coat is
scattered with snowy galaxies.
I remind him of his prime.
When he strode like Caesar down the road,
his tail a battle banner, ears alert for dissent.
I remind him of his might.
How he would cow the dog,
sitting magisterial in her bed whilst she cringed.
I tell him of his prowess in war.
Of his wounds proudly borne,
of his battle cry sounding plangent in the night.
I tell him he was a fine hunter,
sliding like satin through the night,
the lambent amber of his eyes turned to green searchlights.
Tracking, pouncing, biting –
feeling the crunch of tiny bones and the warm spurt of blood.
Slinking to my bed in the early hours,
with blood on his soul.
Breaking my sleep with triumphal purrs,
and kneading loamy paws.
I say, “thank you for staying with me.
Thank you for your warm-furred purry presence”.
I tell him he is my Panther Prince,
He is purring softly – it comforts us both.
Then the purrs cease and
he is taken gently from my arms.
On the steel of the vet’s table he is diminished.
I drop a last kiss
‘goodbye’.
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The wonderful Hay-on-Wye Christmas Lights have been switch on and the whole of the town is illuminated with the bright lights of literature, imagination and ideas.
We’ve enjoyed animated discussions, art, storytelling, comedy, music, family workshops, seasonal markets, the splendid Hay Castle and of course, many many bookshops. We’ve queued in the cold, in the darkness, but always warmed by tales from our fellow adventuring companions, many of whom have travelled from afar just for a taste of our home town of Hay. We hope they all had the best time and look forward to seeing them again very soon.
“Could you spare an hour?” A phrase we are often asked, but rarely does it involve reading the whole of a 64 page novel and immediately wanting to spend another hour re-reading it again.
This is exactly where I found myself with The English Understand Wool by Helen Dewitt. It’s a superbly crafted, dark-humoured, satirical book. It subtly takes aim, among other things, at what is classed as ‘etiquette/connoisseurship’ or acting with ‘poor form’, (“mauvais ton”). It also takes a well-mannered swing at the commercial deeds/misdeeds of the publishing industry. The reader is constantly being asked, what is good or not good, what is legal or illegal, what makes a victim, and what does it mean to me victimised.
This story really does reward it’s reader with numerous exquisite twists. Each line of text is beautifully edited down to the essentials; words are precious and the author is succinct in their usage. Even our main character is refined in every way.
Are you beginning to see why this clever little book deserves more than a single glance?
As Heather Cass White, Times Literary Supplement wrote:
“It is a heist story, an ethical treatise, a send-up of media culture, a defence of education and an indelibly memorable character portrait. Its pages are rife with wicked pleasures. It incites and rewards re-reading.”
Although the quintessential review of this book (and perhaps modern life in general) is by Sheila Heti of Electric Literature, and is featured on the rear cover………I urge you to enjoy both!
– Reminder our 2025 Fiction Competition is now OPEN!
Submissions are now invited for our annual Fiction Competition, The Frances Copping Memorial Prize 2025, named in fond remembrance of our Lifetime President who sadly passed away in 2020.
The competition is open to everyone, members of Hay Writers’ Circle and non-members too. Pieces of 500-1500 words on any fiction theme are accepted. Closing date for entries is Tuesday 6th January 2026. Prizes are awarded for first, second and third place.
Please follow the guidelines listed on our COMPETITIONS page if you would like to enter.
You can contact writers4haycomp@gmail.com if you have any questions or queries.
Click on the link below to download the entry form :
Taking on the leadership of any community group, particularly such a well-respected and dynamic one as Hay Writers’ Circle (HWC), is not a task to be taken on lightly. It requires focus, commitment and no small amount of energy. Fortunately for happy foot soldiers like myself, there are those impressive souls who not only enjoy such a challenge but relish it.
Early one afternoon in September 2025, I joined fellow member of the Hay Writers’ Circle, Emma van Woerkom, in Brecon town to meet such a person, someone who through a fusion of talent, strength of character and sense of purpose, has conjured up not just wonderful things for HWC but a rich and fulfilling life for herself. And all this from a rather inauspicious start.
At the time of our get-together, Lynn Trowbridge is fast approaching her 102nd birthday. It would be easy to venerate her for this fact alone, but this would do her a great disservice. You only need to read her books ‘A Life is What You Get’ and ‘Random Ramblings of a Nonagenarian’ to recognise that at her core, this woman is a powerhouse. She may no longer be able to control a bolting horse nor use this same athletic prowess to fill her display cabinets with silverware, but given her mental acuity, I wouldn’t be at all surprised if – given the chance – she could, once again, win a car for her management skills.
As we talk, she outlines her HWC successes with honesty, wit and humour and is always quick to give those involved in each undertaking equal or sometimes greater billing – an approach very much reflected in her books.
Lynn begins by telling us how from the outset it was obvious to her, given that within the group there were both published and unpublished writers, a new HWC focused print medium was required; one that served the needs of every member regardless of their publishing status or experience. It would also be best if this were not just a one-off, as had been produced before, but a year in, year out publication. There was only one contender: a magazine, an annual one, sustained and funded by advertising and sales.
Lynn took charge of its front cover, general layout and production (through a printer in Llandrindod Wells) while the then treasurer, Ann Riviere, (who sadly died last year) became very adept at selling advertising space to local businesses. This usually more than covered the printing costs. It went on sale at roughly £2.50 and featured members’ poetry, fiction and non-fiction – all fully illustrated by Joan Charleton, a well-known local artist and HWC member. The magazine was issued in time to greet the crowds attending the Hay Festival.
It was at this point Lynn inadvertently pulled off something of a coup. The magazine was proving popular with locals and festival goers alike, however, it was not yet offered for sale in the festival bookshop. To Lynn’s mind, this was a glaring oversight and one she tried to remedy. Unfortunately, her written request was turned down by those in charge of the bookshop who stated that, at that time, they could only stock the publications of those authors appearing at the festival.
But all was not lost, for on hearing of this, Peter Florence, then director of the Hay Festival, came forward with an extraordinary offer, one no-one had asked for but he was happy to provide: a one hour slot at the next Hay Festival.
HWC Magazine Hay Clock Tower DetailHWC Magazines Group ImagePeter Florence Photo by Merv Newton 2019
And so began something else Lynn became famous for. At each HWC meeting members would, as they do now, read their work. If this received a favourable response from those attending, Lynn would request a copy which she then placed in a green folder. Over that first year and her succeeding ones, the contents of that green folder formed the backbone of the next performance. Not that being sandwiched between its folds granted automatic acceptance. To assure fairness and parity, the hour was shared out equally amongst those performing. No matter how good a particular piece was, if it were too long, Lynn would ask for it to be edited. This was a hard and fast rule.
These days, Lynn’s green folder is longer in existence but our slot at Hay Festival has become the highlight of the HWC calendar. Every year our members strive to produce a varied programme full of moment, poignancy and humour, and we are so grateful to Hay Festival for it’s continued support.
Lynn was in her nineties and had just suffered a heart attack when she stepped away from both the HWC chair and being a member. She had been in post for ten years. A decade which produced an era of sustained HWC publishing – ten magazines in all – which has never been matched since. Nor have the Hay Writers’ Circle’s coffers ever been so full. During her tenure, many writers not only saw their endeavours appear in print for the first time, but were also given the opportunity to perform their pieces to the public as part of the Hay Festival.
As the afternoon continued, Emma, a published poet, who joined during Lynn’s reign as a ‘youngster’ (Lynn’s words – Emma was forty), bears testament to all Lynn’s achievements. However, the easy rapport and mutual respect shown between these two friends of longstanding helps tell another story – and an important one. Lynn achieved what she did not just though obvious dynamism, but also through warmth, humanity and caring.
As a final accolade, in 2019, a year which marked the Hay Writers Circle’s fortieth anniversary, Peter Florence, opened our appearance at the festival with a speech in which he affirmed not only how important he felt writers were to any community, but also how the support of local writers lay at the very heart of the festival. Long may it be so.
AND long may it also be that we are graced with the presence of Miss Lynn M Trowbridge. A woman who spent much of her young life in a home for ‘waifs and strays’ only to spend the greater part of it motivating, inspiring and achieving.
Hay Festival Winter Weekend 2025 programme is out now, promising a wonderland of ideas and inspiration, 26–30 November.
For more information on events and tickets etc – CLICK HERE
– 2025 Fiction Competition now open
Submissions are now invited for our annual Fiction Competition, The Frances Copping Memorial Prize 2025, named in fond remembrance of our Lifetime President who sadly passed away in 2020.
The competition is open to everyone, members of Hay Writers’ Circle and non-members too. Pieces of 500-1500 words on any fiction theme are accepted. Closing date for entries is Tuesday 6th January 2026. Prizes are awarded for first, second and third place.
Please follow the guidelines listed on our COMPETITIONS page if you would like to enter.
You can contact writers4haycomp@gmail.com if you have any questions or queries.
Click on the link below to download the entry form :
Submissions are now invited for our annual Fiction Competition, The Frances Copping Memorial Prize 2025, named in fond remembrance of our Lifetime President who sadly passed away in 2020.
The competition is open to everyone, members of Hay Writers’ Circle and non-members too. Pieces of 500-1500 words on any fiction theme are accepted. Closing date for entries is Tuesday 6th January 2026. Prizes are awarded for first, second and third place.
Frances Copping Holly Müller
This year we are delighted to announce that our judge is the wonderful Holly Müller.
Holly Müller is a writer and musician living in the Bannau Brycheiniog. Her short stories are published in Rarebit (Parthian Books, 2013) and New Welsh Fiction (Seren Books, 2015). Her debut novel My Own Dear Brother (Bloomsbury, 2016) was Waterstones’ Book of the Month and garnered positive reviews in the Guardian, Independent, Sunday Times, Sydney Morning Herald and other international press. Holly achieved a 1:1 in Creative and Professional Writing at the University of South Wales (USW), winning the departmental prize for best creative submission, and completed USW’s Creative Writing PhD. Holly has written for the Guardian Observer, Independent, Sunday Times, Glamour Mag, Writers and Artists Yearbook, as well as prominent online publications, namely Strand Magazine, Female First, Bookish, Business Line New Delhi, and Literary Hub. Holly has performed at Cheltenham, Hay, Laugharne and Cardiff Literature Festivals. Holly taught creative writing at USW and ran Ty Newydd Writing Centre courses with Kate Hamer, as well as workshops at schools and festivals, before having a family.
On 21st October we met at Cusop Village Hall for a workshop with Gareth Writer-Davies, who kindly judged our last poetry competition. Gareth is a local poet who lives near the Brecon Beacons (Bannau Brycheiniog). His notable achievements include –
Gareth gave us a very interesting and thought-provoking workshop. We discussed some poems which dealt with everyday life and then went on to write ourselves and to share our work. As a starting point we used William Stafford’s method for daily writing, which Gareth had introduced us to. Here it is, if you want to try it:
Get up early – if you can Write the date Write down an adage Write 2 lines about what you did yesterday Take a couple of minutes pause and the start to write your poem No pressure; if nothing flows then lower your standards.
This produced varied contributions, although there was a slight emphasis on gardening.
Gareth Writer-Davies
Many thanks to Gareth – we all really enjoyed the afternoon.
The One Didn’t Get Away!
Recently, one of HWC managed to catch an absolutely superb wild Wye Salmon. To celebrate, here is the first act (prequel not included) inspired by that glorious event. Congratulations Nick!
“The one that didn’t get away” by Nick Thomas.
A one act play.
Featuring:
“Kipey” Henry, king of fish.
An oldish gentleman.
A rock, previous story refers.
A tree, ditto.
The Scene, a pool on the Wye, rock and tree face each other from opposite sides of the river.
Enter stage right, a salmon.
“Morning gentleman”, he says.
Tree grunts, Rock, who has seen it all before, ignores him.
“What’s up with him?” snorts Salmon.
“Oh, take no heed of him, he’s sulking about something that happened two hundred and four years ago”, says Tree.
“Oh”, says Salmon, “anyway let me introduce myself. I am Kipey Henry, an Atlantic salmon, king of fish. I’m just over 1 m long and weigh 26 pounds”.
“Well, well”, says Tree, “just passing through, are you?”
“Yes, but I must rest for a pesky otter, further downstream at the Turn Pool gave me such a fright, I’m lucky to be here at all.”
“Oh dear, rest there in the tail of the pool and wait for the water to rise in a few days’ time then you can continue your journey.”
“If you don’t mind me asking”, said the inquisitive Tree, “why Kipey?”
“Because of my large kipe, my lower jaw”, says Henry sticking out his lower jaw of which he was very proud.
And that was that, until:
Enter stage left, Nick, an elderly bearded gentleman. He is limping and using a stick but carrying a huge fishing rod. At least that’s what a lady taking her son to school just said as he unloaded it from his car.
“To catch a huge fish, hopefully”, he replied. Though, in truth he wasn’t very hopeful. For though the river was right and he had fished it proficiently for several days, casting well, not falling over, but to no avail.
He started casting at the head of the pool and moved slowly downstream going through the motions, but without a lot of hope.
He came out of the river, rounded a willow shrub, then continued towards the tail of the pool.
A decent cast swung round, he mended the line, then WHAM! Kipey had taken the fly, a red, black and yellow tube. Holy moly this woke the old bugger and Kipey up. Out of nowhere fight was joined.
I won’t bore you with all the cut and thrust, it took ten minutes or so. Old Nick had neglected to bring a net, so he was desperately looking for somewhere to either beach or tail the fish, that is grab it by the tail.
Kipey was having none of this. He was in and out, up and down, sometimes holding solidly still. Nick thought he had lost him at least twice but, today Man beat Fish. Kipey was up on the bank being photographed while expecting the worst.
But no, the next thing he knew he was being put back, held gently in the water for five minutes while he recovered from his ordeal.
It was with mixed feelings that the old man let him swim away. He took out his flask and took a sip of whisky to salute his good fortune for he had just returned the biggest salmon he’d ever caught in a lifetime of fishing.
Even Rock seemed pleased.
Curtain closes.
Wye Salmon caught by Nick Thomas, 2025
And Finally :
Less than a month to go until – Hay Festival Winter Weekend 2025
For more information on events and tickets etc – CLICK HERE
If you want to read about all our up and coming news, events and competitions, don’t forget to subscribe with your email address in the box below.
How quickly our writing year is up and running again! Our Annual General Meeting enjoyed not only many positive reports from its Committee, but also a number of exciting plans and adaptations for the coming year ahead. All thanks to everyone who brainstormed ideas during our summer blue-sky-meeting.
We are delighted that the following Committee Members have been re-appointed.
Chairperson – Corinne Harris
Treasurer – Nick Thomas
Competition Secretary – Margaret Blake
Social Media & Website Manager – Emma van Woerkom
Corinne Harris ChairpersonNick Thomas TreasurerMargaret Blake Competitions SecretaryEmma van Woerkom Social Media & Website Manager
A new appointment this year for the position of Secretary. We are happy to confirm that Michelle Pearce has kindly accepted this busy undertaking. Welcome aboard Michelle!
Michelle Pearce Secretary
Bon Voyage!
It’s never goodbye from the Hay Writers’ Circle, just a “bon voyage” for the continuing journey of life. We understand that as writers develop and move away from Hay, they cannot always stay with our group, and so this year the following members have left our intimate circle for pastures further afield. We thank them for their many years with us, plus the words and publications they have shared and we have loved. We all wish them the very best for the future, with resounding chants of good luck – ádh mór – guid luck! May their wonderful writings find large happy audiences, and willing rich publishers!
Alan ObermanHelen SmithMichael Eisele
Richard Booth Prize 2025 – 3rd Place – Val Ormod
We are delighted to showcase the 3rd place entry of our most recent competition, The Richard Booth Prize for Non Fiction 2025. Val Ormrod is no stranger to this competition attaining 2nd place in 2024. She is back on the podium this year with her entry, “Knives”, achieving a well deserved third place.
Many congratulations Val for another stand-out piece of writing.
Val Ormrod 3rd Place – Richard Booth Prize 2025
Knives
The morning shrieks awake. My body is the centre of the shrieking. I try a small movement and pain stabs my spine like a hot skewer. I need to empty my bladder and attempt to climb out of bed. Pain reclaims me, spins me in its jaws. A cry escapes my mouth, unbidden, refusing to be controlled. Defeated, I fall back to bed. I lie still, commanding my brain to bypass the pain. The ache in my bladder increases. I drift in and out of razor-lined sleep.
A slight breeze fidgets the curtains; a knife edge of sunlight chinks through the fabric, stabbing me into consciousness. The bladder keeps insisting too. Now it is impossible to ignore. I force myself to move. I ease one leg out of bed, force the scream back down my throat as I slide my body towards the edge, lower myself onto hands and knees. Each small movement is punctuated by gasps. Scorpions travel my leg. The cries leak out involuntarily.
I begin the marathon journey to the bathroom. From this close-up focus I observe every black speck on the carpet, every hair showing itself against the cream pile. I make myself concentrate, count every imperfection as I crawl with tortuous slowness, then study every tiny mark on the bathroom tiles until the white base of the loo looms in front of me. I grasp the side of the bath to pull myself up until I hover over the seat. Sitting is impossible but I manage to aim in the right direction. The relief is temporary: one pain quickly replaced by the other pain – the fireworks sparking in every nerve ending. I reverse the journey, my yelps piercing the room like the high-pitched cry of birds. What seems a lifetime later, I have hauled myself back into bed and lie exhausted.
I resign myself to another day inhabited by pain. It drags me down, any movement piercing my body like daggers. I struggle to do anything, move anywhere beyond this room. Seconds are leached from my minutes, minutes from my hours, and hours from my days. Life carries on around me while my own wasted days drain to despair. I vow to get through them somehow and get back to living.
At last, the day I have been waiting for arrives. I am wheeled on a trolley to a room of knives. I study the scalpels, the steel instruments that glint with menace, the syringes and tubes, the masks, the smell of chlorine and antiseptic. The deliverance man sharpens his weapons. Upside down faces hover above me. Mouths stretch taut over white teeth, my arm is stroked, soft as a cat. The one with the needle smiles and smiles and I silently urge him to hurry. The poison leaks into my blood. Smiles blur, voices recede, Picasso faces dissolve into mist. The tongues of fire grow quiet as I race to the end of the rainbow where there is no more pain.
I wake in a morphine maze of morning, my face drained and pale as chalk. The day hobbles by in grey flashes. Cocooned by night I surf the hours till dawn. This time a new morning light swallows the grey; the paintbox returns, colour unfurls. Blood red streaks melt to amber, to gold. Bright sun fills my world.
In that room of knives, a modern miracle has been performed. I pick up my bed and walk.
There are still a few places left at our Poetry Workshop on 21st October with Gareth Writer-Davies.
We are delighted to begin this week with the results of our annual non-fiction competition.
This popular competition again received a good number of entries from both inside and outside Hay Writers’ Circle and we very much welcome external interest in all our writing competitions.
Our memorial prize, named in tribute to Richard Booth, the self-proclaimed “King of Hay”, who among many literary interests, was a keen supporter of the Hay Writers’ Circle. He sadly passed away in 2019, still in love with books, writers and his beautiful kingdom of Hay-on-Wye.
Richard Booth MBE2025 Judge -Dr Alan Bilton
We are extremely grateful to our judge, Dr Alan Bilton for his incredible efforts reading all the entries.
Dr Alan Bilton, “received his undergraduate degree in Literature and Film from Stirling University in 1991, and his PhD (for a study of Don DeLillo, an author with whom he has absolutely nothing in common in any way) from Manchester University in 1995. He then taught American Studies at Liverpool and Manchester, before taking up a post teaching literature, film and creative writing at Swansea University in 1996.
He is the author of three novels, his latest The End of the Yellow House(Watermark Press 2020), The Known and Unknown Sea (Cillian Press 2014), variously compared to Charlie and the Chocolate Factory, the 1902 movie, A Trip to the Moon, and Dante’s Inferno, and The Sleepwalkers’ Ball (Alcemi, 2009) which one critic described as “Franz Kafka meets Mary Poppins”. In Bilton’s Anywhere Out of the World (Cillian Press 2016), he dares us into a fantastical and strange alternative reality through a collection of short stories, into a labyrinth, a world of nocturnal cities, hapless slapstick and misadventures, lost souls and lost travellers.
As a writer, he is obviously a hard man to pin down. He is also the author of books on Silent Film Comedy (Silent Film Comedy and American Culture, Macmillan, 2013) Contemporary Fiction, (An Introduction to Contemporary American Fiction, Edinburgh University Press, 2002) and co-editor of America in the 1920s (Helm, 2004). His essays, reviews and fiction have appeared in the New Welsh Review, Planet, The Lonely Crowd, The Journal of American Studies, The F. Scott Fitzgerald Review and elsewhere, as well as the anthologies, Sing Sorrow Sorrow (Seren, 2010) and A Flock of Shadows (Parthian, 2013).”
Dr. Alan Bilton, offered the following comments which are applicable to all entries.
“Each of these very well crafted pieces seems to capture something vitally true and important about the authors’ lives – whether in thoughts, memories, or images. These short pieces managed to compress whole lives into a few hundred words – who am I to say which one is the most meaningful?
Nevertheless, the best, if I can put it like that, I think allow the reader to emotionally share in these moments by grounding events in specific images, sensations and scenes, moments when concrete things become meaningful symbols, feelings and moods are captured in tactile places and objects, and ideas seem indistinguishable from stories.
Many of these pieces seem to me to capture the uncanny strangeness of memory, the mystery of why some things persist, clear as day, whilst others vanish, mist-like into the void. The pieces are also blessed with unique, distinctive voices, giving the impression that the author is present in the room, swapping confidences, sharing their stories: ‘voice’ is nearly always the reason why we love one author more than another, and the work here is wonderfully idiosyncratic and individual.
Otherwise, what I took away from the exercise was a sense of honesty, authenticity, and truth – these pieces talk about important things (most specifically, life, death and the passing of time) in a sincere and emotionally direct way, and I was deeply impressed and moved by the candid way in which they explore the things that seem most important to the author – and then invite us, as readers, to find truth and meaning in them too.”
The Richard Booth Prize for Non-Fiction Competition 2025
RESULTS
1st Prize – Michelle Pearce with ‘My Textile Self.”
2nd Prize – Katy Stones with “The Shore I didn’t Choose.”
The judge’s comment on the winning piece reads as follows;
‘My Textile Self ‘ – the idea of framing life via an idiosyncratic history of the things we feel closest to our skin is a brilliantly off-kilter and original one, and the lyrical, poetic prose and steam of consciousness is wonderfully inventive, surprising and playful.
Michelle replied on hearing that she had won The Richard Booth Prize, 2025.
“I am particularly delighted to have won this prize – non-fiction is so dear to my heart – there is so much richness in what is true – ‘ you couldn’t make it up’ as they say – yes, delighted – thanks to the judge and special thanks to Hay Writers Circle for – well, for everything.” Michelle October 2025.
The nurse wraps me in a white cotton towel and hands me to my mother.
My mother is propped in a black metal bed, on starched hospital pillows, between starched hospital sheets, tightly tucked in with a thick woollen blanket. Cotton. Wool. Cotton wool.
The nurse tuts. To have a second daughter within two years is, in Hong Kong, February, 1969, bad luck. Very bad luck indeed. I should, of course, have been a boy.
The nurse marches off. My mother is alone with me for the very first time. She peels back my layers with her lovely hands. The towel, the cotton smock, the tiny woollen vest with its satin ties and then the great bolus of my nappy – a genius of folded cotton, stabbed with a pin, poppered plastic pants. The legs are so thin! The arms! The chest heaving with screams, those tiny fists reaching into the sudden emptiness of the world – ssshhhh little one – there there – I’ll be as quick as I can – ssshhhh – Cotton. Wool. Cotton wool.
Cotton. Wool. Cotton wool. Dresses (home)made bigger by the year – flimsy cotton shifts to be thrown aside – stripped down to nylon knickers for days and sweltering days on end, swimming the wet patio, drinking it, the gushing relief of the hose. Dresses, velvet with matching ribbons, for brief sub-tropical winter; deep red, royal blue, perhaps a little lace, knee-length socks, patent shoes with buckles, smiling crookedly at the camera – knock-kneed, freckled, a little awkward – good girl.
Cotton. Wool. Cotton wool. Leather – a new pair of sandals every year, bought from Clarkes on long-leave in England; rubber-soled, thick-strapped and lovely – running them in on the parquet floors, the tiled kitchen, the playroom’s bright lino – slap, slap, slap – so proud to wear them with my new yellow satchel, to school in the morning – cotton gingham sailor dress – blue or brown – zip up the front, so light, like wearing nothing at all, cooled overnight in front of the air conditioner, sliding in like a letter.
Getting older, here comes the miracle of flowery, worn-every-day, nylon shorts, long brown legs football-socked, and on the feet the wonder of longed-for adidas. Wrangler jeans with three lines of stitching up the thighs (important), high-waisted, flared, t-shirts with pictures – Coca-Cola, 7-UP, South China Morning Post.
Cotton. Wool. Cotton wool. New wool uniform – now there’s a way to scratch back the cold of my first English winter – chaffed by a green sweater – now there’s a way to subsume sub-tropical divorce – those socks crawling up my legs and that heavy duffle coat hiding my most urgent pupation. By spring I emerge, double-breasted, lipstick-ed, bleached, waistband of my skirt perfectly rolled up, socks perfectly rolled down and I shun those boys’ shoes (yes, Clarkes) and cripple myself in courts. I cut off my hair, blacken my eyes and when I am quite alone, I wipe it away all again – thank you, cotton wool. Cotton.
Wool. Cotton wool – maybe not. Ditch the wool, way too itchy. Cotton is strictly for pants, t-shirts and jeans. Now we have leather, lace, nylon, rayon, LYCRA, polyester, FLEECE – bring on the ‘80s – drain-pipes, crop-tops, leg warmers, stilettos, bat-winged jackets, pencil skirts, t-shirt dresses, sweatshirts – one eye in the mirror, one 1 Words: 924 eye on the high-street’s cheap parade – Is this OK? Does my bum look big in it? Will I fit in? Will it go? Will he fancy me? I’m not sure but I’m wearing it anyway.
Cotton. Wool. Cotton wool – the wedding dress is in a vintage shop hanging there all gauzy and gorgeous, and although he hasn’t asked, I slip it on, give him a twirl and the shop keeper says it’s perfect. Thirty quid it’s worth a whirl, and although my boobs are too small and my boots poke out beneath the hem like hard boiled eggs, the sequined straps cross my back perfectly, and the morning comes when I cross my heart and there they are, there those suited, booted, waist-coated folk smiling amongst the barley and the flowers dancing us to the marital bed.
Cotton. Wool. Cotton wool – it’s baby time again. Real nappies, organic cotton, baby-grows – so cute. Real lamb’s fleece to lie you on, pure wool blanket I made myself when you were inside me and even though I couldn’t knit when I started, I finished it and wrapped you in it and kissed your dearest skull and loved you.
But this is not all, this cotton. Wool. Cotton wool. Now we have man-made fibres, micro-plastics, child labour, sweatshops, pollution, cheap out-let stores, more clothes than any of us can wear – PRIMARK. It’s all getting complicated – piles of waste, give it away, upcycle, recycle, reduce, reuse, second-hand, car-boot, I’m finding it hard to BREATHE –
Ai yah!
Cotton. Wool. Cotton wool. I can deal with the itch, knit my own, meditate on colour, balance form, dream of crafting my whole wardrobe, and his, and theirs, sitting fire-side, blanketed, eating soup, writing books, walking for hours sheep-clad.
Yes, I have come full-circle – cotton, wool, cotton wool, a little leather, perhaps for the feet – cotton, wool, cotton wool – the very first fresh-from-the-womb touch of it, the primal itch of it, the memory is etched in my skin. And those hands, those lovely hands, my green-eyed mother – the touch of them too. Always the touch of them too.
And looking forwards? Perhaps, as the skin withers and wrinkles and becomes thinner than the paper I write upon, the as yet undiscovered mystery of silk.
Congratulations once again to our worthy winners. Thank you to everyone who entered work into this popular competition, and our wonderful judge, Dr Alan Bilton.
There are still a few places left at our Poetry Workshop on 21st October with Gareth Writer-Davies.
We are delighted to announce details of a one-off Poetry Workshop with Gareth Writer-Davies.
Date – Tuesday 21st October 13.30pm-16.00pm Venue – Cusop Village Hall – HR3 5RW (free on-site parking, facilities etc) Cost – £20.00 non members, £10.00 members Booking – Tickets via Eventbrite – CLICK HERE Or email thehaywriters@gmail.com
Gareth has written 5 collections, Bodies (2015), and Cry Baby (2017), published byIndigo Dreams.
His latest book, WYSG (2022) is also published by Arenig Press.
In WYSG Gareth Writer-Davies is instantly recognisable, as he navigates the borderlands of Wales, seeking to bridge the new and the familiar; the streaming of our lives, our conflicts with nature, getting older and always, where we have been and where we are going?
“In these sharply-worked, elegant poems, Gareth Writer-Davies takes the reader on a voyage of mid Wales which invites us to see this landscape in a vivid light.” – Katherine Stansfield
NB. Workshop – Doors open at 1.15pm. Please bring a notebook, pen and your imagination, tea and cake provided.
We look forward to seeing your there.
Don’t forget to subscribe with your email address in the box below.
As the fourth heatwave of the summer looks to arrive tomorrow, and every flavour of ice cream has already been selected, tasted, and speedily devoured. We’ve also mulled the latest hosepipe restrictions, watched our runner beans shrivel in the sunshine plus, all the strawberries have gone and there are literally wasps everywhere! There are, of course, some of us who are looking hopefully for a cooling autumnal breeze on the horizon. Perhaps next week? Next month? Who can tell?
We do hope you’ve enjoyed the Summer though, storing up a wealth of warm images and creative experiences to use in your writing during the darker months when both sunshine and ice cream seem like a dream of a far away land.
Non-Fiction Competition Now Closed
Thank you to everyone who submitted an entry to our Non-Fiction competition this year. All the entries are with our judge, Dr Alan Bilton and the results will be announced in October.
As a small note of housekeeping for future competitions, we would like to remind everyone that with each of our competitions the rules may vary slightly. We urge all entrants to make sure they read and follow the rules before submitting.
Our non-fiction competition asked for one entry per person. Sending additional entries means an increase in email correspondence and arranging refunds. Our lovely and busy Competition Secretary, Margaret, does a wonderful job and your consideration is always greatly appreciated.
A Short Story by Michael Eisele
Peter
Sleep having eluded me, I sat in the darkened living room of my daughter’s home, staring sightlessly at the curtained rectangles of the open windows, dimly lit by the moonlight. Occasionally an errant breeze would disturb the lightweight fabric but for the most part the night was still enough to hear the lonely cry of some nocturnal bird from the nearby woods.
The day before had been clear, the trees rich with the subtle yellows and russet browns of an English Autumn, but today’s dawn was still some hours off. I had heard that the authorities always tried to schedule removing children from their homes in the early hours so that they and their parents would be too fogged with sleep to make trouble.
To distract myself from such thoughts I was remembering another such night on the Greek island of Thassos, where I had taken my daughter Daphne to recover from her most recent miscarriage. Her last three pregnancies had terminated after only a few weeks and Daphne was, I thought, near to the breaking point emotionally.
The sun had been just coming over the horizon when I saw my daughter coming back from the sacred grove, the sleeping bag draped over one shoulder. Thassos is a beautiful and peaceful island in the Aegean group and our cottage is in the hills overlooking the sea on the western side, far enough away from the public beaches to give a measure of solitude and an unobstructed view over the Aegean below. It is a place where one can sense the spirit of the past and almost smell the burnt offerings to the old gods. I had thought it just the setting for Daphne to come to terms with the loss of yet another child.
As she came nearer I was struck by the quiet happiness on her face. The lines of strain and worry seemed to have smoothed out and although part of the effect might have been due to the early morning sunlight, I was hopeful that this trip had had indeed been a good idea.
I turned around at the sound of clinking china to see old Melania approaching with the breakfast things. As she set down the teapot I saw she was watching Daphne closely as she approached. She turned to me, her deep set black eyes gleaming. Melania had been with us as long as my late wife and I had been coming here. Her family managed some large olive groves on Thassos and she looked after our small cottage as well as helping out when we were here on holiday. Now she smiled in satisfaction, and indicated my daughter with a lift of her chin.
‘You see, her sleep in the grove has been good for her.’
I had been a bit taken aback earlier when Melania had suggested the idea. Ever since Daphne had arrived she had taken my daughter under her wing and in short order had wormed out of her what had occurred. A woman who could not have children? Adianóitos!
Near the cottage was a grove of Mountain Pines which looked to be ancient. All of the trees were twisted and bent into fantastic shapes and in their centre was an open space with a plain flat stone in the middle. ‘Time out of mind,’ Melania had said to me once, ‘a woman whose womb would not bear would sleep for a night there, and wait upon the god.’
‘Which god is that?’ I had asked, because most of the islands had some shrine dedicated to one of the Greek gods.
Melania smiled and put a finger to her lips. ‘Ah, sir, it is one whose name it is best not to say.’
She must have been very persuasive in her conversations with my daughter, for Daphne came to me one evening as I was watching the colours of the sky reflected in the flat sheen of the sea below and announced her intention to sleep that night in the grove among the pines. I was surprised at first but remembering that she had been an avid camper before her marriage I thought it could do her no harm. And who knew? The unconscious is a curious thing. I found her an old sleeping bag left by some previous guest and off she went, carrying a tiny LED torch to light her way.
That night sleep eluded me. Like any father I worried about my daughter’s safety but it was more than that. I found myself staring out the window at the hunched silhouettes of the pines and imagining that they were moving, although the night was still and there was no wind. Then a little breeze did begin and softly into the silence I seemed to hear the notes of a flute, like the music the young goat herders play at night on their primitive instruments to calm the herd. The melody rose and fell and gradually my apprehension stilled and I found my eyes getting heavy and presently I must have dropped off because I was awakened by the first rays of the sunrise.
In days that followed I found to my relief that Daphne had recovered something of her normal high spirits and seemed to have put her grief aside. Instead of brooding indoors as she had done in the beginning she spent the rest of the holiday sunbathing and walking the hills. She ate voraciously the meals Melania provided and by the end of our stay seemed to have actually put on a little weight.
At the end of the month we set out for home. Well, my daughter went back to her husband of course, and I on an inspection trip to the new oil pipelines. I had meant to retire that year, but for some reason management still seemed to value my opinion.
The weeks went by and one day I received a call from Daphne to say that she was pregnant. She seemed totally optimistic and positive and I congratulated her while mentally crossing my fingers, remembering that she had miscarried her first three pregnancies within weeks. After a two months had gone by, however, I began to feel more confident. Daphne would call and merrily relate how the pregnancy was progressing. ‘Really, Dad, everything’s going great! I’m even starting to have cravings.’
‘What sort of cravings?’ I asked mildly curious.
‘Well, raw vegetables, for one thing, and lately it’s been, well, grass! Imagine!’
That did sound a bit odd, but I knew that during pregnancy women could want all kinds of things and everything else did seem to be going well.
The months passed with frequent updates, and the news that my daughter was planning on a home birth. That surprised me, I have to say. I couldn’t imagine George, her husband, agreeing to such a thing. He was an eminent barrister and had always struck me as too rigid and controlling, but this time Daphne’s determination seemed to have won out. When I mentioned it, though, Daphne informed me that he had left. Just packed his bags and moved out. ‘He seems to have gotten the idea that it isn’t his baby, of all the silly things.’ She didn’t sound very upset about it and to be truthful I had never liked the fellow much anyway. I promised Daphne I would cover all expenses until he came to his senses, if ever.
I was in Ecuador when I heard the news. The baby had been born, nearly a month early. I was aghast, but Daphne didn’t sound at all concerned. ‘He’s a beautiful boy,’ she said, ‘and thank God he doesn’t look a bit like George. I’m calling him Peter.’
The project I was overseeing meant that I couldn’t get away for several months but I kept in touch and everything seemed fine. Two months passed without incident. Daphne was, I supposed, like all new mothers, devoted to little Peter who in spite of being premature seemed to be developing rapidly. I was shocked, however, when in mid June my daughter called with the news that he was walking. Walking after two months, when a baby of that age shouldn’t even be able to crawl? Something was seriously wrong and I called the head office and told them to send a replacement ASAP, citing a family emergency.
In the event it was almost another three weeks before I could get away, and I worried every minute it took to book a flight out of that godforsaken country. As soon as I arrived at the airport I got on the first train to Woking and telephoned Daphne to tell her I was on my way to see her. She sounded fine, as though she didn’t have a care in the world. ‘We’re in that park down the road from the house, why don’t you meet us there?’
It didn’t take long to find her. She was sitting on a bench overlooking the play area where a group of children were milling around. After the usual hugs and greetings, she shaded her eyes and said, ‘And there’s Peter, over there. Isn’t he beautiful?’
I agreed, not knowing what else to say, while my mind was racing trying to make sense of what I was seeing. There was a little fellow not much bigger than a toddler, dressed in baggy white trousers and wearing an incongruous sun hat. He was not only walking but skipping around a group of older children who were playing some sort of game. At that moment two of the boys in the group came up behind Peter and pulled his trousers down to the accompaniment of loud laughter. Peter seemed not at all discomfited and in fact leaped out of the baggy trousers and butted one of the boys in the stomach. This dislodged the floppy hat and then I saw for the first time what my daughter had given birth to. His legs were hairy and jointed like a sheep or a goat’s, ending in tiny black hooves. On his head as he danced around his fallen victim I could see two conical bumps like emerging horns. In shock I turned to Daphne who was watching the scene with amusement untouched by the least concern. She shook her head. ‘Those boys,’ she said, ‘I’ll have to have a word with their mothers, picking on Peter like that.’
Meanwhile the boy on the ground was crying and other adults were running forward and I saw two of them holding phones aloft obviously filming the scene. I looked a my daughter’s face, which was concerned but not in the least upset and all I could think was, For the love of heaven, she doesn’t know.
What followed had the quality of nightmare. I managed to get Daphne and Peter home, Peter dressed once more in his concealing outfit. Seen close to he looked even less like a toddler. His hair was brown and curly and his ears slightly pointed and the two bumps on his forehead looked even more like emerging horns on close inspection. His complexion was swarthy and his eyes were large and liquid and nearly all iris with a colour like pale amber. He looked up at me calmly and silently, the small mouth set in a gentle smile.
My daughter seemed amused by my evident concern. ‘Dad, it was only some children playing. You know how they are.’ Further questioning revealed that she thought Peter was perhaps a little advanced for his age but what was wrong with that?
The answer was not long in coming. The videos taken by the other parents were posted on social media and caused an immediate sensation. Few it seemed had connected what had seemed to be a badly deformed child with Daphne but her estranged husband was predictably enraged. One morning two representatives of Social Services appeared on the doorstep enquiring if they could ask my daughter ‘a few questions’. It seemed that George had used his connections to push through a court ruling that Daphne was an unfit mother and that Peter should be taken away and put into his care.
The two social workers departed with much shaking of heads and were succeeded by an order for my daughter to be examined by a court appointed psychiatrist. At this point I phoned George on his private line and demanded to know what he was thought he was doing. He coldly informed me that he had no intention of having his reputation besmirched by his wife’s having given birth to such a monstrosity. I asked him how he could be so certain that the child was not his. ‘I never went near her after that last failure to conceive,’ he responded acidly. Then what, I asked baffled, could he possibly want with a child which was not his and deformed to boot?’
‘I’m going to have him surgically altered to look more normal,’ he said. ‘I know a surgeon who has assured me that it would be possible after a series of operations.’ There was no mistaking the satisfaction in his voice. It was as if by punishing Peter he could at the same time take out his anger at what he must have viewed as my daughter’s infidelity.
Now I waited in the darkness for I knew not what. Early tomorrow morning the representatives of the Social Services would arrive to remove little Peter to the custody of his legal guardian. I had tried by every means to protest but there was nothing I could do against the power of the court; the law was clearly on George’s side. Daphne was deep in a sedated sleep and from Peter’s room there came not a sound.
Then softly as if it had been that same night in Thassos I heard the music of a flute again. I sat entranced, listening, and then his bedroom door opened and Peter came out. He had discarded his concealing clothing and with them any trace of the small boy he should by rights have been. Softly he stepped across the floor, his little hooves making no sound on the deep pile carpet. One glance he gave me, his large amber eyes full of sorrow and a kind of wonder. Then the notes of the flute rose higher, peremptory, and he walked to the back door, opened it and was gone into the surrounding woods.
“There is nothing permanent except change”, Heraclitus.
Every few years we create the opportunity for a group get-together wholly focusing on developing and evaluating the direction of our group. We call it our “Blue Sky” event. We discuss in subgroups topics ranging from meeting agendas and locations, data protection and communication, social media and writing projects, local community events and competitions…..plus everything else that a writer’s circle does in between.
Our President, Ange, ran this special event in Cusop Village Hall, posing interesting questions which got us all thinking and talking. It was a fabulous way to share ideas for the future and adaptations we could make right now, with a measure of evaluating any potential concerns by beginning the process of problem solving them. Lily kindly typed up all the notes from the day (of which there were many!) into a coherent format which the HWC Committee can endeavour to develop.
We all thoroughly enjoyed this meeting, heartened by the many positive expressions of what the group means to it’s members. Onwards with writing we all go!
2025 HWC Summer Lunch
HWC Annual Summer Lunch 2025
“Stop overthinking everything. Just let it be. Relax and go with the flow more. Worry less. And don’t take life so seriously… live a little!” Mandy Hale
With so much thinking accomplished, at 1pm we finally turned our desks around to make a long banqueting table and celebrated the end of our writing year with the Hay Writers’ Circle Summer Lunch. It was a lovely time to relax, blow off steam, exalt successes, praise endeavours and honour all our hard work. It was also time to tuck into a delicious meal – Hooray!
Cheers to all writers and may your imagination never fail!
2025 HWC Summer Lunch
And finally … The 2025 Non-Fiction Competition
Before we completely rest on our laurels, don’t forget the deadline for the Richard Booth Prize for Non-Fiction is midnight, Tuesday 12th August.
This year we are thrilled to confirm that the judge for our Non-Fiction Competition is Alan Bilton.
Alan Bilton is the author of four novels, The Sleepwalkers’ Ball, The Known and Unknown Sea, The End of The Yellow House, and At Dawn, Two Nightingales, as well as a collection of surreal short stories, Anywhere Out of the World, and books on silent film comedy, the 1920s. and contemporary fiction. He is head of Creative Writing at Swansea University.
Richard Booth Prize Non-Fiction Competition2025
This is an open competition meaning – ANYONE CAN ENTER
For full competition details, criteria and an entry form, please go to our COMPETITIONS page.
Breaking the rules of fiction – a workshop with Alan Bilton
Article written by HWC Chair, Corinne Harris. Photos by Ange Grunsell
On Tuesday 17th June, fifteen of us met in Clyro Village Hall for this workshop. Alan started with a concise summary of the rules of fiction, and of the expectations readers have of work in a particular genre. He then, with a series of interactive exercises, encouraged us to break the rules he had just outlined.
We started with a realistic piece of writing and experimented with changing genres, time and place, and with introducing the author into the piece. The suggestions came rapidly and changing direction mid piece was challenging. When we came to share our work, the ingenuity displayed was impressive.
Writers hard at work in Clyro Village Hall
After lunch we worked in pairs. The exercise involved taking an anecdote our partner had told us and writing a story, initially following it quite closely. Alan then introduced a various interventions. Examples of these were: introducing a character unrelated to the story, shifting time, and finally shifting place. Again, it was fast-paced and we worked quite hard to integrate all the changes. We then shared with our partners. I was impressed by how my partner had managed to tie everything together so that it made sense. He was probably startled by the frivolity of mine but was too polite to say so. We concluded with a reflective piece on our day’s work, and we were given a free hand with which form this took.
Katy Stones, Mark Bayliss, Alan Bilton
Mark Bayliss, (pictured above, centre) submitted his piece as an example of some of the work completed at the workshop. Each paragraph-brake indicates a change in direction.
In the 1970s, I was a fresh-faced, recently qualified solicitor in Cardiff, and I was going to my first day in court with my boss. I’d never been in a crown court before, and after a break, I came back into the courtroom – but I used a different door. I couldn’t see my boss, but the judge called us to order, so I took a seat immediately. Before the barristers could begin, the judge bellowed across the courtroom and pointed a finger at me – Who is that person? Who me? I thought to myself. It transpired that I had wandered in and sat directly next to the accused.
I forgot to mention that before I took my seat, an elegant woman, who I recall was oozing with far too much Chanel No. 5, approached me and gave me a note to pass to the man I was about to sit next to. “He might need this later,” she said, “don’t worry, it’s OK, but we mustn’t discuss it, court rules, etc, you know. So, mum’s the word.” I passed him the note. He beamed at me.
There’s something I forgot to tell you. My boss was the one who wandered off and told me which door to go back inside the courtroom, “It’ll be good for your development, different perspective on the proceedings,” he said. “I’ll be around, see you inside.” I’m convinced I saw him earlier in the day speaking with the same woman who handed me the note. I could be mistaken, of course.
Moments after the judge gave me his dressing down, there was a massive explosion. Alarms and water sprinklers came to life, and absolute pandemonium ensued. I coughed and spluttered, and made for the fire exit. My nose seemed to follow a distinctive smell. Perfume. As I came to my senses, I realised that the accused had vanished inside an ambulance driven by a woman wearing a paramedic outfit, but strangely for a paramedic, she oozed Chanel No.5.
Eighteen months later, when my court case came to trial, this was the story that my barrister presented to the jury.
This was a very thought-provoking workshop. It was also great fun. Alan is a genial and inclusive facilitator – he is always a Hay Writers’ favourite. The workshop was fully booked which was gratifying. Clyro Village Hall is a pleasant and well-equipped venue. Providing lunch was a new departure for us and proved to be popular.
We plan more workshops in the future. We are hoping to have a poetry workshop with Gareth Writer-Davies in August. All our workshops are advertised on our website and tickets are available through Eventbrite. We welcome people from outside our group and we hope this might inspire you to join us soon.
Non-Fiction Competition 2025 – The Richard Booth Prize
Here is a gentle reminder to all writers that we are now accepting entries into our non-fiction competition 2025. The closing date is 12th August, 2025, so there is still plenty of time to cast your eye over your notebook and edit that story.
This is an open competition meaning – ANYONE CAN ENTER
For full competition guidelines and to download your entry form please head over to our Competitions page – CLICK HERE
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